We were proud to support the Futureclassics.program Scholarship Gala with OnstageAI technology, used to record the performances of this year’s exceptional young artists.

We were proud to support the Futureclassics.program Scholarship Gala with OnstageAI technology, used to record the performances of this year’s exceptional young artists.

Meet Zofia Soboń - a passionate listener and lover of music in many forms, whose path is naturally connected with culture, music and storytelling. Zofia brings experience from Radio Kampus, where she hosts cultural programmes, and the Julian Cochran Foundation, where she supports communication for cultural and international projects - including CLiViE and Future Classics. With a background in Artes Liberales at the University of Warsaw, Zofia brings a broad cultural and inter

OnstageAI was proud to support a landmark cultural production in Barcelona marking the centennial of Antoni Gaudí’s death - a project that brought together Maestra Marin Alsop, London’s Philharmonia Orchestra, three choirs from Orfeó Català, and more than 200 musicians on stage. For OnstageAI, this project was another important opportunity to demonstrate how our technology can support large-scale, artistically ambitious classical music productions. Events of this complexity r

Maciej Szudek, Jarosław Ważny, Karolina Sajniak-Drzyzga, Jakub Fiebig, Photo: Aleksander Jura How can technology help young classical musicians reach wider audiences? On 29 June 2026, the final gala of the Future Classics scholarship programme will bring together a new generation of outstanding Polish classical musicians - young artists shaping the future of the international music scene. OnstageAI is proud to support this initiative by providing its automated concert video t

Kinga Rozkrut, photo by Aleksander Jura Kinga joins OnstageAI as Director of Strategic Partnerships, working alongside CCO Simon M. Eder to support global adoption. Trained as an orchestra and choral conductor, she brings a deep understanding of artistic workflows, from rehearsal dynamics to live performance. She holds degrees in Orchestra Conducting , Choral Conducting , and Managerial Econometrics, and is a recipient of the Scholarship of the Minister of Culture and Nationa

Interview with Paweł Jabłoński, CTO of OnstageAI In our latest interview, Paweł shares his perspective on the future of performing arts production, how AI can support creativity, and what it takes to build technology for one of the most demanding artistic environments. "Paweł, is there actually an area in classical music that truly needs AI support?" Absolutely, but first we need to debunk the myth that AI in the classical music world means robots playing instruments or singi

At the IMZ Avant Première 2026 conference in Berlin, OnstageAI's leadership team took to the stage — and the panel podium — to talk about the future of performing arts production. Our CTO Paweł Jabłoński presented his vision of AI-powered workflows for concerts, opera, and ballet. Jakub Fiebig - OnstageAI CEO and Simon Eder - OnstageAI CCO participated in panel discussions alongside industry leaders from across Europe. And throughout those conversations — on stage, in the co

Malmö Opera, Photo: Visit Sweden Interview with Jesper Larsson, Head of the Production, Planning, and Audience Section at Malmö Opera, Sweden Heading into 2026, we are beginning a collaboration with Malmö Opera (Sweden), an institution known for its willingness to experiment where art and technology meet. We are working closely with the Malmö team to refine our autonomous systems and develop features tailored to the specific demands of opera, such as subtitle automation. To p

OnstageAI CCO, Simon M. Eder, recently joined a panel of international leaders at the #7 MusicTech Poland meetup. The discussion: how to build and scale successful music tech companies. Simon shared insights on how OnstageAI's technology empowers concert halls and orchestras, helping the classical world burst its growth and thrive in the digital age.

Our AI technology fully automated movement of 11 cameras, operating entirely without a crew. (...) for the regular composer-bequeathed cadenza, given by Cho with boundless, ink-still-wet vitality, contrasted with a spacious and confiding slow movement (during which the collaborators were of complementary quietness)(...)" Colin Anderson - writer on music and the editor of Classical Source 11/08/2025

Simon joins the leadership team to drive global commercial strategy and market expansion, bringing over 15 years of experience at the intersection of music, technology, and strategy. Simon’s background includes co-founding the classical streaming service Primephonic (acquired by Apple in 2021 and relaunched as Apple Music Classical in 2023) and leading the award-winning classical label Pentatone. As Managing Director at Pentatone, he led the label’s digital transformation and

OnstageAI and Lucerne Festival are officially launching a groundbreaking collaboration, inaugurating a new chapter in classical music recording. The official beginning is marked by our first autonomous recording at the prestigious KKL Luzern. This inaugural production captured a sold-out performance by the Lucerne Festival Orchestra under the baton of Yannick Nézet-Séguin. The evening featured a repertoire of Beethoven and Bruckner, with the distinguished pianist Seong-Jin Ch